Sketching on fabric takes a bit more time than on paper, however, I find it infinitely more interesting. The trick is to use a large-tip pen (0.7 Copic multiliner here) rather than a fine one that would catch on the threads. The hundreds of slender branches on a pomegranate tree make for a chaotic effect.
It's vacation and the sun is shining today. And I'm comin' round the bend on my jeans bag. I may be finished soon. Finally... While stitching, I've been watching the first couple of seasons of Project Runway (yeah, I'm out of it, I know). My needle is dancing...
Once I finish my jeans bag, I'll get back to the b-i-g pomegranate tree, but in the meantime, I wanted to work on a page in my textile sketchbook/journal. The basic rules are: fast and no hand-stitching. I started with a cheap piece of drawing paper (11"x7") and glued on some fabric. Since it's cold and rainy, I sketched from my window with a 0.7 Copic multiliner. My babies (pomegranate trees) look bare, but, have tiny leaf buds ready to burst into all their glory as soon as the temperatures rise. This is the largest tree in the orchard. Still some more work to do on it. I'll probably machine stitch on it...maybe. Nice to be back to the fabric.
A pretty stoneware pot caught my eye when I went to my friend's house for Sketch Club. First I did a blind sketch, then a 1/2 blind sketch in my small daily journal. Afterwards, I added color.
More people in the street all bundled up. Cold, misty weather, a lot of hands in pockets. And then a family member across Skype, to finish the page that had a last car for the day. Feeling like black and white for a change.
Like I said, Man, this takes practice. I'm referring to drawing people in general. Sometimes it works, sometimes it doesn't. Maybe the practice keeps me sharp...
So last week at Sketch Club, we drew my sketching buddy's mother from an old portrait. Doesn't look much like her, but I it pleases me. Then a family member fiddling with the remote.
Out and about, a couple of pots in Nabeul and people on the street. Ballpoint pen and Prismacolor pencils.
I'm rather tickled because I found my favourite ballpoint pen (Reynold's Pointe Fine 045) in a four-color package. I haven't found this since the beginning of school in September. So I bought 3 packages. In the meantime, my sketching buddy, knowing I was on the lookout for them, bought me three packages as well. I'm well-stocked now. One of the cheapest pens around...
A Bootkamp assignment gave me the motivation to revisit this colonial building on my way to work. Usually tile work is not found on the exterior walls of a building. Needless to say, this was a building that required attention to detail. This started with a fast sketch in watercolors, then pen work, and finally some coloured pencils. Basta!
We just finished a week of writing assignments, fooling around with scripts at the Sketchbook Skool Bootkamp. Stretching some unused muscles--this is not something I would ordinarily play with, but it was interesting. I wrote Robert Frost's poem, "Fire and Ice," with a dip pen, which was fairly out of control...and therefore exciting. I added a "take-a-line-for-a-walk" and Prismacolor pencils. I rather liked the lines of the dip pen--think I'll play with it some more.
More "Suffering Students" themed pages...two days of proctoring exams in a cold, unheated building. At least I could walk around. The students were tied to their seats for three hours...
True, it is springtime, but still cold. I'll just sit in bed all weekend with lots of pillows and quilts and hot tea, and correct all those exams...
Sketchbook Skool Bootkamp homework--draw city folk fast. So when we went out to buy groceries, I sketched in my small daily journal. Ballpoint pen and Prismacolor pencils.